The Equipment

Recording Media
ProTools LE (Digi002 Rack w/Focusrite mic pres), Alesis ADAT (1 LX, 1 XT)
1.3 Ghz Mac G4 (OSX) with 1.5GB RAM
Adobe Audition post-production on custom-built 2Ghz Win2K PC with 1GB RAM

Mixing
Mackie CFX-12, Tascam 428 control surface, Alesis Studio 32, Behringer Eurorack 1604A

Monitoring
Yamaha MSP5 near field reference monitors, Boston Acoustic desktop speakers/subwoofer

Microphones
Condensers (lg): AT 4050, SE Electronics Z3300a, Red lollipop capsules for MK-012s (2), Shure KSM32, AKG C3000, GrooveTubes GT55
Condensers (sm): Shure SM81, AT 4051, AT Pro37r, AKG C1000 (2), Oktava MK012 (2)
Dynamic Mics: Shure SM57 (4), SM58 (4), Sennheiser E609, BeyerDynamics M101
Ribbon Mics: Nady RSM-2

Outboard Gear
Mic Preamps: Sebatron vmp 4000e (4 ch. discrete tube pre), Custom-racked Neotek Series 1E Channel strips (3) with para. eq, Speck MicPre 5.0, Grace 101, Summit 2BA-221, FMR RNP (2 ch.), Presonus BlueTube (2 ch.), Event EMP-1, ART TubeMP
Compressors: FMR RNC (x2), DBX 118, ART Levelar
Effects: Speck ASC (para. eq), Lexicon MPX-100, t.c. M300, Alesis PEQ-450 (para. eq), Nanoverb (2), Presonus EQ3B, Ibanez grapic EQ
Plugins/Software: Waves bundle
Misc: Whirlwind/custom DIs, Korg DT1 Tuner, Presonus Headphone Amp, Neutrik patchbays